Adobe audition 3 manual free -

Looking for:

- adobe audition cs6 user manual pdf 

Click here to DOWNLOAD

     

Adobe audition 3 manual free

 

The drop zone you choose determines where the panel is inserted, and whether it docks or groups with other panels. Docking a panel places it adjacent to the existing group, resizing all groups to accommodate the new panel.

Groupingapanelstacksit with other panels. A B C Dragging panel A onto grouping zone B to group it with existing panels C Dock or group panels 1 If the panel you want to dock or group is not visible, choose it from the Window menu.

Drag group gripper to move entire group The application docks or groups the panel, according to the type of drop zone. Undock a panel in a floating window When you undock a panel in a floating window, you can add panels to the window or otherwise modify it, as you do the application window. You can use floating windows to make use of a secondary monitor, or to create a workspace like those in earlier versions of Adobe applications. Select the panel you want to undock if it s not visible, choose it from the Window menu , and then do one of the following: Choose Undock Panel or Undock Frame from the panel menu.

Undock Frame undocks the panel group. When you release the mouse button, the panel or group appears in a new floating window. Drag the panel or group outside the application window. If the application window is maximized, drag the panel to the Windows task bar. Resize panel groups When you position the pointer over dividers between panel groups, resize icons appear. When you drag these icons, all groups that share the divider are resized.

For example, suppose your workspace contains three panel groups stacked vertically. If you drag the divider between the bottom two groups, they are resized, but the topmost group doesn t change. Do not press Shift. Press the tilde key again to return the panel to its original size. The pointer becomes a double-arrow. To resize in both directions at once, position the pointer at the intersection between three or more panel groups.

The pointer becomes a four-way arrow. A B Dragging divider between panel groups to resize them horizontally A. Original group with resize icon B. Resized groups Open and close panels and windows Even if a panel is open, it may be out of sight, beneath other panels. Choosing a panel from the Window menu opens it and brings it to the front.

Whenyoucloseapanelgroupintheapplicationwindow,theothergroupsresizetomakeuseofthenewlyavailable space. When you close a floating window, the panels within it close, too. To open or close a panel, choose the panel from the Window menu. To close a panel or window, click its Close button. Working with multiple monitors To increase the available screen space, use multiple monitors.

When you work with multiple monitors, the application window appears on the main monitor, and you place floating windows on the second monitor. Monitor configurations are stored in the workspace.

Dock, group, or float panels on page Some tools are unique to each view. Likewise, some Edit View tools are available only in spectral displays. However,youcanundockthetoolbar,converting it to the Tools panel, which you can manipulate like any other panel. A check mark by the Tools command indicates that it is shown. To undock the toolbar from its default location, drag the handle at the left edge to another location in the work area. To redock the Tools panel in its default location, drag the Tools panel tab to the drop zone that spans the entire width of the Adobe Audition window, just under the menu bar.

A B Available toolbar buttons differ in each view. Multitrack View toolbar Dock, group, or float panels on page 23 Basic components of Edit, Multitrack, and CD View on page 19 Display the shortcut bar Theshortcutbardisplaysbuttonsthatprovidequickaccesstocommonlyusedfunctions.

Theshortcutbarappears in the upper part of the application window, below the menu bar and the default location of the toolbar. To identify a button, place the pointer over the button until a tool tip appears. You can show or hide the status bar and select which types of information appear there. Adobe Audition Workshop Instructor: Sam Fuqua Class Objectives Learn the interface for Adobe s audio enhancement software Learn how to do basic recordings, both single and multi-track Learn how to repair.

All Rights Reserved. Audacity 1. Mbox Basics Guide Version 6. With itunes you can easily import songs from your favorite CDs or purchase them from the itunes Store. Sounds are pressure waves of air Pressure pushes air molecules outwards in all directions. The Midi WorkShop. Workshop Objectives Become familiar with the Final Cut Pro workspace, basic editing, capturing footage, using tools, exporting to tape, or QuickTime. Learn effective workflow and file management strategies.

To view a copy of this. The main imovie window is divided into six major parts. Project Drag clips to the project area to create a timeline 2. Preview Window Displays a preview of your video 3. Toolbar Contains a variety of. You can download. Microsoft Publisher What s New! A new. To expand. PART 1. Inside, you ll find quick examples of how to record, compose, mix, and. Adobe Acrobat SDK 9. Movie Maker 2 Beginning Quick Overview Workspace tour Welcome to CorelDRAW, a comprehensive vector-based drawing and graphic-design program for the graphics professional.

In this tutorial, you will become familiar with the terminology and workspace. Migrating to Excel - Excel - Microsoft Office 1 of 1 In This Guide Microsoft Excel looks very different, so we created this guide to help you minimize the learning curve. Read on to learn key. Adobe LiveCycle ES 8.

It can be downloaded. Basics Mbox 2 Version 7. This guide may not be duplicated in whole or in part without the express written consent of. Adobe Acrobat 6. You will also learn some of Adobe s collaborative functions,. Introduction This paper tutorial is designed as a basic introduction to Microsoft.

Content that only applies. With PowerPoint, you can create engaging presentations that can be presented in person, online,. Using Microsoft Word Many Word documents will require elements that were created in programs other than Word, such as the picture to the right. Nontext elements in a document are referred to as Objects.

In This Guide Microsoft PowerPoint looks very different, so we created this guide to help you minimize the learning curve. Read on to learn key parts of the new interface, discover free PowerPoint.

In This Guide Microsoft Word looks very different, so we created this guide to help you minimize the learning curve. Read on to learn key parts of the new interface, discover free Word training,. Word basics Word is a powerful word processing and layout application, but to use it most effectively, you first have to understand the basics.

This tutorial introduces some of the tasks and features that. Step by step guide to using Audacity Contents 1 - Introduction All rights. The Opening Screen You will see the default opening screen is actually composed of three parts: 1. This program helps you to enhance your oral presentation and keep the audience. Lightworks v12 Quick Start Guide Lightworks v12 Copyright and Disclaimer Copyright by EditShare This document, as well as any software described in it, is furnished under either a license or a confidentiality.

Your rights to the software are governed by the accompanying software license agreement. The owner or authorized user of a valid copy. When you create a mask from a selection, the area not selected is masked or protected from editing. Register online at www.

Introduction to OpenOffice Writer 2. The information presented is subject to change without notice. This tour presents a series of three tutorials, each designed. Grass Valley is a trademark of Thomson. All other trademarks are properties. Lenovo Miix 2 8 User Guide Read the safety notices and important tips in the included manuals before using your computer.

Page Properties 1. Type the name of the Title of the page, for example Template. And then click OK. You can click on a shortcut on your desktop. ZoomText Software User's Guide Brother QL-series The contents of this guide and the specifications of this product are subject to change without notice. Brother reserves the right to make changes without notice.

User Guide Ulead Systems, Inc. No part of this publication may be reproduced or transmitted. Kinoma Producer 2 Version 2. Before using this software, please read the End User License Agreement that is supplied together with this software.

Director includes the option to create three-dimensional 3D images, text, and animations. Using Acrobat Comment and Markup tools In Adobe Acrobat 9 and Adobe Reader, a comment is a note, highlight, stamp, or any other markup you add to your PDF document by using the comment and markup tools. Sage, the Sage logos, and the Sage product and service names mentioned herein are registered trademarks or trademarks.

Log in Registration. Search for. Size: px. Start display at page:. August Grant 6 years ago Views:. View more. Similar documents. People who viewed this item also viewed. Adobe Illustrator 8. Adobe Photoshop Elements 2.

Picture Information. Mouse over to Zoom - Click to enlarge. Shop with confidence. Get the item you ordered or get your money back. Learn more - eBay Money Back Guarantee - opens in a new window or tab. Seller information. Contact seller. Visit store. See other items. Adobe Audition 1. Item Information Condition:. Very Good Very Good. No markings on pages. Approximately EUR 4. Sign in to check out Check out as guest. Add to cart. Add to Watchlist Unwatch.

Watch list is full. That figure doubles to 10 MB per minute for a stereo CD, which has two channels. When you record audio in Adobe Audition, the sound card starts the recording process and specifies what sample rate and bit depth to use. Through Line In or Microphone In ports, the sound card receives analog audio and digitally samples it at the specified rate.

Adobe Audition stores each sample in sequence until you stop recording. When you play a file in Adobe Audition, the process happens in reverse. Adobe Audition sends a series of digital samples to the sound card. The card reconstructs the original waveform and sends it as an analog signal through Line Out ports to your speakers.

To summarize, the process of digitizing audio starts with a pressure wave in the air. A microphone converts this pressure wave into voltage changes. A sound card converts these voltage changes into digital samples. After analog sound becomes digital audio, Adobe Audition can record, edit, process, and mix it—the possibilities are limited only by your imagination. Adobe Audition provides three distinct views, each optimized for unique audio workflows:.

With the integrated environment of Adobe Audition, you can move seamlessly between these views, simultaneously editing and mixing files to create polished, professional audio.

This integrated environment extends to Adobe video applications, where you can easily incorporate Adobe Audition into comprehensive video-editing workflows. Open file 2.

Edit audio 3. Apply effects 4. Save changes. In Edit View, you edit, restore, and enhance individual audio files, such as voiceovers, old vinyl recordings, and more. Any saved changes are permanent, making Edit View a great choice for mastering and finalizing files.

Open an existing audio file that you want to modify. In the Main panel, trim or extend a file by deleting or generating audio. To create a sonic collage, combine pasted audio from multiple files. Then, select noise or other audio you want to process with effects.

In the rack, you can edit and reorder effects until you achieve the perfect results. Save the polished, final file to disk, or automatically insert it in CD View or a multitrack session. In Multitrack View, you layer multiple audio files to create stereo or surround-sound mixes. When you create a new session, you specify the sample rate for audio clips the session will contain. To build a particularly flexible session, insert audio loops—you can choose from over on the Adobe Audition Loopology DVD.

In the Main panel, arrange and edit clips in the timeline. In Multitrack View, edits are impermanent for maximum flexibility. But if you want to permanently edit a clip, simply double-click it to enter Edit View.

Apply effects in the Effects Rack, where you can edit, group, and reorder effects on each track. At any future time, you can update or remove effects to address the needs of different audio projects. In the Mixer or Main panel, output audio tracks directly to the Master track for standard mixes. As you build more complex mixes, combine related tracks in buses, and use sends to output individual tracks to multiple destinations.

Then automate effect and mix settings over time, creating a dynamic, evolving mix that highlights different musical passages.

Export your finished mix to a file, which you can automatically insert in Edit View for mastering or CD View for archiving and distributing. However, all three views have similar basic components, such as view buttons, the Main panel, and the status bar.

View buttons B. Menu bar C. Toolbar D. Shortcut bar E. Main panel F. Various other panels G. Status bar. Adobe Audition provides different views for editing audio files and creating multitrack mixes. To edit individual files, use Edit View. Edit View and Multitrack View use different editing methods, and each has unique advantages. Edit View uses a destructive method, which changes audio data, permanently altering saved files.

Such permanent changes are preferable when converting sample rate and bit depth, mastering, or batch processing.

Multitrack View uses a nondestructive method, which is impermanent and instantaneous, requiring more processing power, but increasing flexibility. This flexibility is preferable when gradually building and reevaluating a multilayered musical composition or video soundtrack. You can combine destructive and nondestructive editing to suit the needs of a project.

If a multitrack clip requires destructive editing, for example, simply double-click it to enter Edit View. Alternatively, double-click a file in the Files panel. Or, select an audio clip in either the Files panel or the Main panel, and then click the Edit File button in the Files panel. Zooming adjusts the view of the timeline display in the Main panel.

The ideal zoom level depends on your current task. For example, you can zoom in to see details in an audio file or multitrack session, or you can zoom out to get an overview. Adobe Audition provides several ways to zoom. You can either click buttons in the Zoom panel, or drag scroll bars and rulers.

Click buttons in Zoom panel B. Drag scroll bars C. Right-click and drag rulers. When the pointer becomes a magnifying glass with arrows , drag left or right, or up or down.

The magnifying glass icon appears, creating a selection that shows you the range that will fill the Main panel. The magnifying glass icon appears, creating a selection of the range that will fill the Main panel. To zoom with the mouse wheel, place the pointer over the appropriate scroll bar or ruler, and roll the wheel. In Edit View, this zoom method also works when the pointer is over the waveform.

You can set the percentage of this zoom on the General tab of the Preferences dialog box. At higher zoom levels, you may need to scroll to see different audio content in the Main panel. To change the placement of a horizontal scroll bar, right-click it, and choose Above Display or Below Display. This sets the position of the scroll bar for only the current view Edit View or Multitrack View. Horizontal scroll bar B.

Vertical scroll bar Multitrack View only C. Vertical ruler Edit View only D. Horizontal ruler. To scroll through tracks with the mouse wheel, place the pointer over the track display, and roll the wheel. The panel displays this information in the current time format, such as Decimal or Bars And Beats.

Adobe video and audio applications provide a consistent, customizable workspace. Although each application has its own set of panels such as Tools, Properties, Timeline, and so on , you move and group panels in the same way across products. The main window of a program is the application window. Panels are organized in this window in an arrangement called a workspace.

The default workspace contains groups of panels as well as panels that stand alone. You customize a workspace by arranging panels in the layout that best suits your working style. You can create and save several custom workspaces for different tasks—for example, one for editing and one for previewing.

You can drag panels to new locations, move panels into or out of a group, place panels alongside each other, and undock a panel so that it floats in a new window above the application window. As you rearrange panels, the other panels resize automatically to fit the window.

You can use floating windows to create a workspace more like those in previous versions of Adobe applications, or to place panels on multiple monitors.

Application window B. Grouped panels C. Individual panel. For a video about the Adobe workspace, see www. You can dock panels together, move panels into or out of a group, and undock a panel so that it floats in a new window above the application window. As you drag a panel, drop zones —areas onto which you can move the panel— become highlighted. The drop zone you choose determines where the panel is inserted, and whether it docks or groups with other panels. Docking zones exist along the edges of a panel, group, or window.

Docking a panel places it adjacent to the existing group, resizing all groups to accommodate the new panel. Grouping zones exist in the middle of a panel or group, and along the tab area of panels.

Grouping a panel stacks it with other panels. When you undock a panel in a floating window, you can add panels to the window or otherwise modify it, as you do the application window. You can use floating windows to make use of a secondary monitor, or to create a workspace like those in earlier versions of Adobe applications.

Undock Frame undocks the panel group. When you release the mouse button, the panel or group appears in a new floating window. If the application window is maximized, drag the panel to the Windows task bar.

When you position the pointer over dividers between panel groups, resize icons appear. When you drag these icons, all groups that share the divider are resized. For example, suppose your workspace contains three panel groups stacked vertically. Do not press Shift. Press the tilde key again to return the panel to its original size.

The pointer becomes a double-arrow. The pointer becomes a four-way arrow. Original group with resize icon B. Resized groups. Even if a panel is open, it may be out of sight, beneath other panels.

Choosing a panel from the Window menu opens it and brings it to the front. When you close a panel group in the application window, the other groups resize to make use of the newly available space.

When you close a floating window, the panels within it close, too. To increase the available screen space, use multiple monitors. When you work with multiple monitors, the application window appears on the main monitor, and you place floating windows on the second monitor. Monitor configurations are stored in the workspace.

The toolbar provides quick access to tools, the Workspace menu, and buttons that toggle between Edit, Multitrack, and CD View. Some tools are unique to each view. Likewise, some Edit View tools are available only in spectral displays. By default, the toolbar is docked immediately below the menu bar. However, you can undock the toolbar, converting it to the Tools panel, which you can manipulate like any other panel.

A check mark by the Tools command indicates that it is shown. Multitrack View toolbar. The shortcut bar displays buttons that provide quick access to commonly used functions. The shortcut bar appears in the upper part of the application window, below the menu bar and the default location of the toolbar. To identify a button, place the pointer over the button until a tool tip appears. The status bar runs across the bottom of the Adobe Audition work area.

You can show or hide the status bar and select which types of information appear there. Data Under Cursor B. Sample Format C. File Size D. File Size Time E. Free Space F.

Free Space Time G. Keyboard Modifiers H. Display Mode. A check mark indicates that the status bar is visible. Data Under Cursor Shows information such as channel for stereo files , amplitude measured in decibels , and time hours:minutes:seconds:hundredths of seconds from the beginning of the audio file.

This data changes dynamically when you move the pointer. For example, if you see R: — Sample Format Displays sample information about the currently opened waveform Edit View or session file Multitrack View. For example, a 44, kHz bit stereo file is displayed as — bit — stereo. File Size Represents how large the active audio file is, measured in kilobytes. If you see K in the status bar, then the current waveform or session is kilobytes KB in size.

File Size time Shows you the length measured in time of the current waveform or session. For example, means the waveform or session is 1. CD or 80 min. Free Space time In Edit View and Multitrack View, displays the time remaining for recording, based upon the currently selected sample rate. This value is shown as minutes, seconds, and thousandths of seconds. For example, if Adobe Audition is set to record 8-bit mono audio at 11, kHz, the time remaining might read Change the recording options to bit stereo at 44, kHz, and the time remaining becomes For example, To return to the original setting, click Reset UI.

Each Adobe video and audio application includes several predefined workspaces that optimize the layout of panels for specific tasks. These workspaces optimize the arrangement of panels for specific tasks. You can customize any predefined workspace. Maximum Session Dual Monitor Arranges the Multitrack View work area for a two-monitor setup, displaying the Main panel and application window on one monitor and other panels on the second monitor, providing maximum view of the Main panel display.

Maximum Waveform Editing Dual Monitor Arranges the Edit View work area for a two-monitor setup, displaying the Main panel and application window on one monitor and other panels on the second monitor, providing maximum view of the Main panel display. Values of 3 to 9 work well. Defines which path the sound source appears to take. Depending on the path type, a different set of Path Type options is available.

A Linear scale provides equal Frequency Scale weight to each frequency; a Logarithmic scale provides more low-frequency detail, better reflecting the emphasis of human hearing.

Analyzes selected or played audio, and creates a graph curve that compensates for current Auto Center Pan or Phase panning or phase position, placing each frequency in the center of the stereo field. With some material, you can create a stereo expanding effect by increasing the differences between the left and right channels.

Use the graph to draw a tempo and create smooth tempo changes or other effects, like a vinyl record speeding up or slowing down. Typically, the key is the same as the one intended for the source audio. Governs how quickly Adobe Audition corrects the pitch toward the scale tone. Faster settings are usually best Attack for audio made up of short notes, such as a fast passage played by a trumpet. In FFT Size general, use smaller values for correcting higher frequencies.

For voices, a setting of or sounds most natural, and a setting of creates robotic effects. Specifying a value for one Ratio, Length automatically changes the other. Doing so, however, can produce a choppy sound. Simply adjust Overlapping to strike a balance between choppiness and chorusing. An unedited signal is depicted as a straight line from the lower left to the upper right of the graph, since every input value goes to the matching output value.

A vocoder takes two inputs, usually an instrument and a voice, and modulates one signal the process signal, usually the instrument with the other the control signal, usually the voice. Page Chapter 9: Mixing Multitrack Sessions Adobe Audition saves information about source files and mix settings in session. Session files are relatively small because they contain only pathnames to source files and references to mix parameters such as volume, pan, and effect settings.

Page Scroll to the same tracks in the Main panel and Mixer By default, Adobe Audition scrolls to different tracks in the Main panel and Mixer, maintaining unique positions in each. To automatically scroll to the same tracks, link the Main panel and Mixer. Both tools let you select ranges and clips, but the Hybrid tool also lets you move clips. Page Basic Track Controls If you regularly create sessions with a specific track structure, use the Add Tracks command to instantly add multiple tracks of various types.

Or, individually insert new tracks to precisely place them. Note: A multitrack session supports only one video track, which Adobe Audition always inserts at the top of the Main panel. Hold down Shift to change settings in unit increments. Hold down Ctrl to change settings in fractional increments of one-tenth. Vocal B. Reverb bus receiving vocal and guitar sends C. Guitar D. Drums bus combining drum outputs E.

Bass outputting direct to hardware F. Master track G. Hardware outputs Understanding bus tracks With bus tracks, you can combine the outputs of several audio tracks or sends and control them collectively. Send 1 outputs to delay bus B. Send 2 outputs to reverb bus C. Master track combines vocal, guitar, delay, and reverb outputs Understanding the Master track A session always contains one Master track, so you can easily combine the outputs of multiple tracks and buses and control them with a single fader.

Input gain B. Track volume D. Track mute E. Send F. The Main and Mixer panels provide quick access to commonly used settings; the Track EQ panel provides more precise and sophisticated controls. The x-axis represents frequency, while the y-axis represents Graph amplitude. You can drag the three control points around the graph to adjust the EQ curve. As you do, the sliders move to reflect your changes. For example, you can add destructive effects to the version in an introduction while leaving the version in a verse dry.

Page Editing Clips Display, remove, or play hidden clips If clips overlap, you can display, remove, or play hidden clips. By default, Adobe Audition plays only displayed clips. To reveal more of a previously edited clip, extend the range beyond the current clip edges.

When a clip is split, each part becomes a new clip that can be independently moved or deleted. Drag controls in clip corners to fade in and out B. Crossfades overlapping clips. Deselect this option if automatic crossfades are undesirable Automatically Crossfade or interfere with other tasks, such as trimming clips. Page You can quickly time stretch a clip either by dragging or setting time stretch properties. When you set properties for time stretching, you can specify which method of time stretching to use.

When you save the session, Adobe Audition prompts you to save a copy of the source file with the new clip name. Page Automating Mixes Adobe Audition provides several techniques for automating mixes. You may find that one method bests suits your working style and audio content. Page You can also rescale all volume envelopes in a session. Automating track settings With track envelopes, you can change volume, pan, and effect settings over time. Adobe Audition displays track envelopes in automation lanes below each track.

Each automated parameter has its own automation lane and envelope, which you edit just like clip envelopes. Page While playing a session, you can record adjustments you make to track volume, pan, and effect settings, creating a mix that dynamically evolves over time. Adobe Audition automatically converts your adjustments into track envelopes, which you can edit with precision.

Individual effect B. Entire rack C. Individual parameter Edit automation envelopes After you create clip or track envelopes, you can fine-tune them by dragging edit points while a session is playing or stopped. You can also enter a new cursor position here and Adobe Audition will recalibrate the session, including negative time.

Determines the type of metronome sound. Sound Set Sets the sound card port for the metronome. Ouput To Sets metronome volume. Like a tape recorder, a digital audio file tries to exactly reflect an audio event, whether it's a musical performance, a person talking, or any other sound. In the upper-right corner of the Sequencer, click the Virtual Keyboard button. This option is particularly useful for music with swing and shuffle rhythms, like jazz and blues. This option is particularly helpful for music with an odd number of beats per bar.

Trim or extend notes Click the Select tool or the Draw tool In the grid, position the pointer over the left or right edge of a note. Ctrl-click to select multiple lines and adjust them simulta- neously. Page Chapter Loops You can hear loop-based compositions in nearly all musical styles. If you change the Repeat Every X Seconds value, Adobe Audition ignores the tempo and stretches the file to finish its loop in the specified number of seconds.

For example, if you play a Follow Session Tempo bpm loop in a bpm session, the loop is stretched to bpm. If you deselect this option, the loop plays at the tempo specified in the BPM text box. Repeating on a beat lets you combine a loop in rhythm with other loops. Set original loop properties For either new or existing loop files, you can set loop properties such as tempo and key.

Adobe Audition uses these original properties to accurately adjust loops for different session tempos and keys. Page Adobe Audition can stretch it to whatever tempo you want. For a drum track, choose Non-Voiced—unless you want to pitch-shift drums when you change session key. When you save your changes, the updated audio automatically appears in your video projects. You can move a video clip independently from the audio clip containing the original soundtrack. To instead keep such clips synchronized, group them.

A zoom percentage Fits previews to the panel. Best Fit Maintains aspect ratio when you resize the panel. Page You can also use this procedure to export an audio mixdown that you recombine with video in a video application, such as Adobe Premiere Pro.

Though exported video files are limited to stereo audio, exported audio mixdowns support stereo and surround sound. Page Chapter Creating Surround Sound Surround sound basics About surround sound With surround sound, heard in many popular movies, you can pan an audio mix around a room.

Adobe Audition supports 5. To properly preview a 5. Track controls B. Waveform display with pan envelopes C. Left Surround B. Front Left C. Center D. Front Right E. Right Surround F. Low Frequency Effects Subwoofer G. Pan point Statically pan tracks in a surround mix In the Surround Encoder dialog box, select a track, and deselect Pan Envelopes. The pan point moves in tandem to show you the relative position in the surround field.

Page Sets the overall amplitude for exported files. Use this slider with the output meters to maximize overall Master Level amplitude and ensure that no channels are clipping. Displays the currently selected device to which Adobe Audition routes the six-channel, Preview Device, Format surround output. Note: If you plan to deliver exported files to an outside service for surround encoding, confirm format requirements with that service.

Page Chapter Saving And Exporting Chapter Saving and exporting Saving and exporting files Save audio files individually In Edit View, you can save audio files in a variety of common formats. The format you choose depends on how you plan to use the file. Keep in mind that each format stores unique information that might be discarded if you save a file in a different format. Page You can reopen a saved session file later to make further changes to the mix.

If you create multitrack compositions entirely in Adobe Audition, save session files in the native SES format.